Another exciting week comes to an end at the APF magazine street photography group. A 7 day long contest on the theme “Speed” was run in collaboration with Chumbak, India’s leading fashion and home decor brand. Members were asked to post their shots based on that theme on Facebook and Instagram.
Speed is a challenging theme and we received a total of 1023 photographs during this period. We are super excited to receive entries in large numbers, week after week. Looking forward to all the amazing posts in the coming weeks as well.
After going through submissions, curators selected the following outstanding photographs.
After careful deliberation the award goes to Vipin Singh, for the following photograph. Well done Vipin, we will be contacting you soon.
Vipin will get a shopping voucher from Chumbak.
Do join us at the APF Group and our Instagram for more inspirations and fun. This new weekly challenge initiative will be going on for 52 weeks. This Week’s Challenge is “Faces”, please follow us on Instagram and use both hashtags #apfmagazine and #apfweek7
We are back after the new year break, charged and raring to go. Overwhelmed by the tremendous response we have got for the weekly challenges. We are now into our sixth week.
Last two weeks we ran the theme JOY at the APF magazine street photography group. The 14 day long contest on the theme “JOY” was run in collaboration with Chumbak, India’s leading fashion and home decor brand. Members were asked to post their shots based on that theme on Facebook and Instagram.
JOY theme was so well received and a total of 3440 photographs were submitted during this period. We are elated to see the large number of entries. We look forward to all the amazing posts in the coming weeks as well
After going through submissions, curators selected the following outstanding photographs.
After careful deliberation the award goes to Manish Jaisi and Tanjila Munia, for the following photograph. Well done guys, we will be contacting you soon.
They both get a shopping voucher from Chumbak, we will be contacting you soon.
Do join us at the APF Group and our Instagram for more inspirations and fun. This new weekly challenge initiative will be going on for 52 weeks. This Week’s Challenge is “Speed”, please follow us on Instagram and use both hashtags #apfmagazine and #apfweek6
Super exciting week at the APF magazine street photography group as we just finished a 5 day long contest on the theme “Red” in collaboration with Chumbak, India’s leading fashion and home decor brand. Members were asked to post their shots based on that theme on Facebook and Instagram.
Red seems to be the favourite color for street photographers as they shared their outstanding works in numbers this week. “Red” put up a challenge not just for the photographers but the curators as well. We are elated to see the number of entries. We look forward to all the amazing posts in the coming weeks as well
A total of 1932 photographs were submitted during this weeks challenge. After going through submissions, curators selected the following outstanding photographs.
After careful deliberation the award goes to Natansh Kumar, for the following photograph. Great vision and anticipation. Well done Natansh, we will be contacting you soon.
He gets a shopping voucher from Chumbak, we will be contacting you soon.
Do join us at the APF Group and our Instagram for more inspirations and fun. This new weekly challenge initiative will be going on for 52 weeks. The Week five challenge is “Joy”, please follow us on Instagram and use both hashtags #apfmagazine and #apfweek5
Fun week at the APF magazine street photography group as we just finished a 5 day long contest on the theme “Surprise” in collaboration with Chumbak, India’s leading fashion and home decor brand. Members were asked to post their shots based on that theme on Facebook and Instagram.
After two great weeks, theme “surprise” put up a challenge and it was fun to see how street photographers from around the world interpreted the theme. We are happy to say we elated to see the number of entries. We look forward to all the amazing posts in the coming weeks as well
A total of 1159 photographs were submitted during this weeks challenge. After going through submissions, curators selected the following outstanding photographs.
After careful deliberation the award goes to Aman Singh, for the following photograph. Great vision and something that really surprises you and catches you in your tacks. Well done Aman, we will be contacting you soon.
He gets a shopping voucher from Chumbak, we will be contacting you soon.
Do join us at the APF Group and our Instagram for more inspirations and fun. This new weekly challenge initiative will be going on for 52 weeks. The Week three challenge is “Red”, please follow us on Instagram and use both hashtags #apfmagazine and #apfweek4
Another exciting week at the APF magazine street photography group as we ran a 5 day long contest on the theme “Mirror” in collaboration with Chumbak, India’s leading fashion and home decor brand. Members were asked to post their shots based on that theme on Facebook and Instagram.
After the great success of week one, we were looking forward to some topnotch photographs in week two. We are happy to say we weren’t disappointed. We look forward to all the amazing posts in the coming weeks.
A total of 1332 photographs were submitted during this weeks challenge. After going through submissions, curators selected the following 18 outstanding photographs.
After careful deliberation the award goes to Gurunathan Ramakrishnan, for the following photograph.
He gets a shopping voucher from Chumbak, we will be contacting you soon.
Do join us at the APF Group and our Instagram for more inspirations and fun. This new weekly challenge initiative will be going on for 52 weeks. The Week three challenge is “Surprise”, please follow us on Instagram and use both hashtags #apfmagazine and #apfweek3
We at APF magazine street photography group ran a 5 day long contest on the theme “Dogs” in collaboration with Chumbak, India’s leading fashion and home decor brand. Members were asked to post their shots based on that theme on Facebook and Instagram.
Week one has been a great success, we look forward to all the amazing posts in the coming weeks.
A total of 1515 photographs were submitted. After going through submissions, curators selected the following 20 outstanding photographs.
After careful deliberation the award goes to Chris Harrison, for the following photograph. A simple yet beautiful street photograph that captures the essence of street photography.
He gets a shopping voucher from Chumbak, we will be contacting you soon.
Do join us at the APF Group and our Instagram for more inspirations and fun. This new weekly challenge initiative will be going on for 52 weeks. The Week two challenge is “Mirror”, please follow us on Instagram and use both hashtags #apfmagazine and #apfweek2
We at the APF magazine street photography group ran a 7 day long contest on the theme “APF Daily Lives”. Members were asked to post their shots based on that theme shot in 2019.
1,223 photographs were submitted for the theme and after going through all of these, curators selected 20 pictures and finally this winner was selected.
And the award goes to Turkish street photographer, Önder Sertçelik. He wins the book, Henry Cartier Bressons Biyografi, we will get in touch with you soon for your award.
We at the APF magazine street photography group ran a 7 day long contest on the theme “APF Daily Lives”. Members were asked to post their shots based on that theme shot in 2019.
1,223 photographs were submitted for the theme and after going through all of these, curators have selected the following 20 top photographs.
Stay tuned for the winner to be announced tomorrow
Do join us at the APF Group for more inspirations and fun.
Upcoming workshop update
Join APF Co-founders for this Leica Akademie workshop in Pushkar/ Rajasthan
For this weeks edition we spoke with Edas Wong, one of the most talented street photographers from Hong Kong. His book Re-Form is about to be released and we wanted to talk to him about his passion and what led to the making of this book.
RV : Hi Edas, welcome to APF. Have been following your work for sometime now and I am really enjoying the new works. Please start by telling us about yourself and how did you get introduced into photography?
Edas Wong : My name is Edas Wong from Hong Kong, 50 years old. I graduated from UMIST’s (Manchester, England). In “Year 2000 to 2002” and “Year 2005 to 2013”, I lived in Stockholm, Sweden and worked as an engineer in the R&D department of a leading mobile network vendor. From 2014 onward, I and my wife had then subsequently moved back to Hong Kong where I currently reside and work till now.
I started to photograph when I was dating my girlfriend (i.e., my wife now). I often borrowed her analog camera to take her portrait and scenes; however, she always complained that I was wasting her films because of strange compositions (I did not agree) and then grabbed the camera back. The year 2002, when I was on a business trip with my boss Tomas, he showed me his new digital camera, which he bought in Akihabara. Finally, I decided to own the same one so that my wife wouldn’t complain to me anymore. Since then, I started to seriously take photos, but concentrating on landscape photography. In 2011, after seeing Henri Cartier-Bresson’s “Valencia, Spain 1933” – I then immediately fell in love with street photography. From that point on I developed an instant and abiding passion for street photography.
RV : Layers and Juxtaposition play a key role in your pictures. Tell us more about the two and if you could share a technique or tip with our readers.
[Edas Wong] I am good in juxtaposition 😊, but not layering. However, no matter juxtaposition or layering, I think the key point to take good photos is FLOW.
In psychology, FLOW is the mental state of operation in which a person performing an activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity. On the street, I highly concentrate on all elements around me and keep imagining their connections
In Zen habits, let things FLOW naturally. On the street, I try to space out my mind, i.e. let things in then let things out, don’t keep looping in mind. When the mind is empty, imagination becomes infinite.
RV : According to you, how important is the role of vision and imagination in street photography?
[Edas Wong] Yes, both observation, i.e. vision, and imagination are important in photography. However, speaking in detail, the most important is to have an “INDIVIDUAL” way of vision and imagination.
After entering digital camera/smartphone era and having many powerful post-processing software/apps in the market, everyone can be photographer, easily manipulate to make beautiful/impressive pics and repeats what other did. I agree it could be a short cut to get praise; unfortunately, those pics are normally lack of soul. To successfully catch the reader eyes and trigger peoples to remember you from the pics, i.e. level of distinction, individual vision and imagination are necessary.
RV : What are some of your favourite places to shoot in Hong Kong?
[Edas Wong] I like to shoot at Tsim Sha Tsui and Causeway Bay because there are many peoples and many funny surrounding objects. This makes higher probability to successfully find/imagine their relationships 😊
RV : Street photography is going out there and taking pictures. How often do you shoot and do you find it challenging to shoot in the street of Hong Kong?
[Edas Wong] Before, I almost shoot every day. In weekday, I shoot before work, at lunch time and after work. In weekend, I shoot whole day. However, recently, I mainly shoot in weekend.
Regarding challenging,
Hong Kong is a high dense city. There are many peoples. It is not difficult to do street photography in Hong Kong. However, as Asian, HongKonger normally has camera-shy; therefore, they don’t like to be directly flashed directly in short distance.
Furthermore, Hong Kong summer is hot and high humidity. This makes uncomfortable to continuously shoot outside for a long time.
RV : What do you do when you are not taking pictures? What are some of your hobbies?
[Edas Wong] Do nothing or reading or listening music.
I like to do nothing, i.e. just lay on sofa or chair without thinking anything. Actually, it is really hard to do nothing because something frequently gets into the mind and be kept looping. However, I try to empty it if possible.
Reading is important for life and I always grumble that I spend too short time for reading. I prefer books about Art, Zen, etc.
Regarding the music, I like canton pop. Some beautiful lyrics can help me improving imagination.
RV : Having won so many of them, how important is it for you to win awards in street photography?
[Edas Wong] It is important. For me, the main reason of entering photography contest is to understand my level of photography, i.e. how good or bad. Some contests also give me review so that I know how to improve photography. Furthermore, it can help to explore in society media.
RV : Tell us about your first book, Re-Form. Please share with us some of the challenges of making your first book and what hard work goes behind the scenes?
[Edas Wong] I have accumulated many photos in the past six years. It’s the right time to summarize what I took and to think about the next step. The theme of my photo book is “Re-Form”. These photographs are different from street photographs taken casually or those that pay much attention to the composition of images. I intended to discard all known understandings and restrictive assumptions and use the way of child’s thinking to re-comprehend the world in front of me. Then I reformed all the elements with unlimited imagination and formed all the interesting photos. In glancing through the photobook, readers will follow me to observe the street through the eye of a child. It should be fun!
The most challenge of making this photobook is the selection of photos. I have few thousand photos in my hard-disk (or few hundred photos in Flickr); however, only 88 photos were finally selected into that photobook. There was a long discussion with the book editors on the photo selections!
RV : One book that you think every street photographer should read?
[Edas Wong] The Happiness Track: How to Apply the Science of Happiness to Accelerate Your Success by Emma Seppala. This book can make you happy and then if you are happy, you will take good pics.
RV : Lastly, what can we expect from you in the second half of 2019? Any places that you would like to travel?
[Edas Wong] Oh! It is the most difficult question for me! The schedule of my plan is normally less than a month. So, I don’t have any plan in second half of 2019. Regarding traveling, I really find interesting to travel Spain and Italy. I have never be there!
Ritesh Ghosh’s entrée into photography took a somewhat convoluted path. He studied for years to achieve an MBA in finance and then worked in the banking industry, both in Kolkata and the Middle East, for more than 8 years. A trio of unfortunate health issues allowed him the time to pursue a burgeoning passion for photography and the rest, as they say, is history. That said, Ritesh realizes his journey has just begun. I recently sat down with him to find out more about the man and get his thoughts on his photography.
Michael : Welcome Ritesh, before we get into our discussion – if you don’t mind, take me back to the beginning. Tell me about home, the environment you grew up in and your initial connection to photography.
Ritesh : Thanks, Michael, for inviting me over for this discussion. I love talking about my work and photography in general and appreciate this opportunity. Well, let’s see, I was raised in a nuclear family here in Kolkata. My dad was a government officer and my mother taught English and Science. As a child I was always creatively inclined. I liked to draw, play the guitar and recite poetry but I wouldn’t discover photography until much later on. After completing my MBA, I joined HDFC in Kolkata and worked there for 7 years before accepting a new job with Al Fardan Exchange in Dubai. My introduction to photography happened during that transition and what started as a part-time hobby quickly developed into full-blown passion. That odd set of circumstances with my health spurred me into moving back to India to pursue photography on a full-time basis. It was risky to be sure, but I felt it was something I had to do, I was answering a calling.
Michael : That must have been an interesting conversation with your parents after all those years studying and working in finance!
Ritesh : Laughs – It was difficult yes, as I’m sure you can imagine. Especially so after investing those 8 years in finance and all the time (and money) spent on my education. Of course, it wasn’t a spontaneous decision I made overnight. The health issues I referred to earlier actually flared up when I returned to India for my annual vacation. It became fairly serious and required an extended leave of absence. Unfortunately, the company didn’t approve my request for leave and I was compelled to remain in India. During my recuperation I found solace in photography, which I am positive helped me heal faster. I was already addicted to photography and it was then that I decided to commit myself to it completely. I haven’t looked back. My parents were initially very concerned with my decision but after seeing the confidence I had in myself and the growing body of work, they eventually decided to go ahead and support my calling. They’ve been great.
Michael : You’re a storyteller and I think that must have begun with your street photography. Most of your recent work has been presented as documentary. What is it about the documentary approach that appeals to you?
Ritesh : I’m glad you addressed me a “storyteller” Whether I’m shooting street or documentary photography, my primary objective is the same, to narrate the story behind the images. If we are able to create visually compelling images, ones that leave lasting impressions on the viewer, that moves the photos from snapshot to art. The street-based documentary approach helps me achieve those goals. I want to engage the viewer with my images, allowing me to narrate the stories in a concise and hopefully, visually stimulating way.
Michael : How long did that take, the discovery that the documentary approach was going to work for you? It certainly seems to be a good fit. What can you recommend for other photographers trying to find their own niche?
Ritesh : I think I got there relatively quickly. As I said it suits my goals as a storyteller. As for advice, it’s a pretty competitive world out there, with thousands upon thousands of photographers trying to get noticed. Remember that what works for you may not work for someone else and what works for someone else might not work for you. It can be frustrating trying to figure it all out but you can’t stop trying. It took me a good three years to realize that. My advice to any aspiring young photographer would be to strive to be original. Be a good human first, be kind and helpful and it will surely help you in developing yourself and in becoming a better photographer. Oh, and don’t judge yourself based on the “Likes” you get on social media. Let your content do the talking.
Michael : Much of your photography focuses on stories about Indian culture. Is there a particular reason, other than location?
Ritesh : As an Indian photographer I think it’s my responsibility to showcase the diverse range of cultural events that make India such a photogenic country. I hope viewers around the world might learn more about our country and culture through those stories.
Michael : Do you have any formal photography education, or are you self-taught?
Ritesh : No, I’m a banker turned photographer and completely self-taught. Observation has been my mentor and guide so far.
Michael : Aside from observation, any particular photographers who’ve influenced you? Any favorites?
Ritesh : Sure, many in fact. A few that immediately come to mind include Vivian Maier, Steve McCurry, Zack Arias, Vineet Vohra, Manish Khattry, Prashant Godbole and Raghu Rai.
Michael : You’ve had a lot of early success getting your work published. How did that evolve?
Ritesh : You know, I’ve actually been really lucky to have had some of my work get a bit of recognition. During my early days I used to post regularly on various photography pages on Facebook. It was there, in one of those groups, that I was approached by Tomasz Trzebiatowski of FUJILOVE MAGAZINE. He asked if he could include one of my images for publication in the maiden issue of the magazine. I was of course very excited and enthusiastically obliged. Later, I very casually expressed an interest in having a complete story published in the magazine. To my surprise, he spontaneously agreed! That was my first break, with FUJILOVE. I shared that first published piece across social media and that led to invites to write for a host of other national and international journals. Features in FUJI X PASSION followed soon after. I’ve been associated with both those publications for more than four years now and I look forward to more.
Michael : Is there any particular story you’ve worked on that sticks with you? Something that affected you deeply and shaped the way you now go about your work?
Ritesh : My recent journey to Kerala to document Theyyam, the traditional dance ritual of Malabar, has inspired me deeply. Witnessing the rigorous practices involved while preparing for the event taught me to be patient and disciplined in life. Part of the ritual involves running through fire without any precautions or protection, which in turn taught me to be fearless while taking risks. It is something which I would definitely like to imbibe going forward.
Michael : We’ll look forward in a bit, but I wonder if you might look back for a moment. If you could turn back the clock, is there one piece of advice or insight you’d like to give yourself as you were beginning your photographic journey?
Ritesh : I’m a person who believes in looking forward in life, so I would not like to travel back in time.
Michael : Really, there isn’t anything you would have told yourself as you were beginning your photographic journey?
Ritesh : Chuckles – Well, there is one thing. I would have urged my younger self to not completely quit working in the beginning. I probably could have looked at that a bit more rationally!
Michael : Okay, so what’s up next? Where do you want to go from here?
Ritesh : I’m continuing to work on documenting Theyyam, in fact I’ll return to Kerala in December. I’m taking a family trip to Bangkok in November; we’ll see what Thailand has in store. Documenting life in China, Cambodia and Cuba are all on my wish list. As for the long term, everybody loves to be recognized and I’m no exception. It would be a dream come true to be selected a Fuji X Photographer. I’d love to be able to present my work to the wider audience that association would afford. Getting published in National Geographic would be great of course, another dream come true kind of thing. Having a few books to my name is also on my list. Laughs – I guess that’s a pretty full list.
Michael : I’m hoping all those things happen for you. I know I won’t be betting against you! Thanks for taking the time to talk with us Ritesh.
Ritesh : Thanks for having me over for this wonderful session Michael. I’m really glad I could be a part of this series.
You can follow Ritesh Ghosh’s work on Instagram: Here
In conversation with Michael Steverson/ Senior Contributing Editor APF